It’s not just the difference between men and boys. It also has a little something to do with scuba divers.
Equipment review: The SeaLife DC1400 digital underwater camera + housing; the Cressi Matrix mask with black silicone skirt.
Scuba gear is expensive. Very. Expensive. To that end, I spend a lot of time reading online reviews and seeking advice from friends and coworkers before I make a big purchase. I hope my reviews of my two newest purchases can lend a helping hand to anyone else who’s interested in the same items.
SeaLife DC1400
My former digital camera was a second-hand Olympus — absolute piece of crap. A few months ago, upon my return to Utila after the Guatemala vacation, I decided that it was time to upgrade. After a few days of research, I decided to go with the DC1400.
The DC1400 is not a camera for the professional; at the end of the day it’s a fairly simple compact digital camera. The setup is meant to be easy to use and learn, and despite the large number of shooting options (and the ability to manually control most of the exposure variables), it’s definitely a camera for the beginner to intermediate set.
The thing that I like most about the camera is its flexibility; you can add up to two external strobes / lights, and shoot HD video as well as high-resolution photographs. I always recommend that beginning photographers start off without the flash, so being able to add a high-quality external strobe after becoming comfortable with the camera (or with underwater photography in general!) is a huge plus. That said, there is an internal flash (and diffusers are included in the pack that the camera comes with), so photographers can experiment with that as well.
Another bonus: as I mentioned, this camera is a teensy little compact digital inside an amazing rubberized housing. That means you can throw it in your bag or purse to take to dinner, parties, family events . . . and then toss it into the housing and take it down to that wreck you’ve always wanted to photograph. The rubberized housing is easy to use and very sturdy; there are loads of YouTube videos showing the housing surviving after getting dropped from ten feet, or even getting hit by a car! While those scenarios are unlikely, it’s refreshing to not be nervous while getting back on the boat. I never felt the need to hand my camera up; I just clipped it to my BCD and hauled myself up the ladder. Shock-proof housing for. the. win.
I’m also a huge fan of the way the 1400 has been remodeled to make shooting easy in all underwater conditions. The big p
iano keys in the back make navigating the menu incredibly easy. I love the textured, rubberized zoom (easy to toggle even with very thick gloves on), and the fact that the shutter and on/off buttons are completely different shapes and sizes. I was so sick of accidentally turning my old camera off every time I had just lined up a great shot! I even appreciated the neoprene wrist strap — no danger of the camera slipping off and floating away.
Speaking of, the camera is slightly positively buoyant in its housing, which I like. If you prefer shooting with a neutral housing, you can always screw a weight into the threading for a tripod at the bottom. It’s not positive enough to be annoying (or to make shooting a struggle), but just positive enough to float if you were to, you know, drop it in the ocean by accident. Which I’ve never done. Obviously.
The quality and size of the photographs is amazing. I love that, in underwater mode, the camera is automatically put on anti-shake to compensate for some of the difficulties involved in shooting underwater. From the underwater mode, you can choose pre-selected white balance settings (which correspond mostly to blue water, green water, and different depths). I will say that, despite the depths the white balance is meant for, the deeper setting only works well in clear water up to 10m / 33ft before the photo starts to get greenish. You can also manually white balance using a slate (or hand, or rashie, or what-have-you), although again, it really only works 100% to about ten meters. By thirty, the reds are really irreparably gone. Obviously the flash / strobes would fix this, and I do wonder whether or not SeaLife skimped a bit on the white balance software in order to encourage people to buy the strobe. I have a friend with a Cannon, and her white balance outshone the SeaLife by far. That said, I do most of my shooting shallower than 12m anyway, so for me it’s not a huge issue.
ISO, shutter speed, aperture, resolution, and flash can all be set manually. I’ve been shooting mostly on automatic, and haven’t had any difficulties; the camera is good at intelligently managing the exposure. The resolution of the images is beautiful, and the focus magnificently sharp when I manage to hold myself very still. It’s not the best low-light shooter I’ve ever encountered, but as long as the lighting was decent, the camera would capture the image without any annoying pixelation.
As for macro, there is not yet a macro lens for the DC1400, although there are some rumors on the internet that one is still to come. There’s a macro zoom setting within the camera that purportedly allows shooting to within 1″, but I found that the focus was a bit dicey when I got in that close. For me, the macro zoom feature was a bit useless, and I preferred to shoot as closely as possible with the regular zoom, then crop out the feature I was interested in. If you’re really interested in macro / wide angle photography, this really isn’t the camera for you — at least, not until the companion lens is manufactured.
I have yet to use a strobe or a light with my camera, as I’m still on the beginner / early intermediate end of the spectrum.
All in all, I’ll give the camera and its housing an A- for what it is. Look around online or with your local dealer for a good price: you can get the DC1400 for under $500 nowadays — a great buy. Some dealers will do package deals with a strobe or a light. Remember to buy lots of moisture munchers to drop in your housing, and please: if you’re a beginner, get to know your new camera on land before taking it underwater, and shoot *without* the flash to develop your skill set before compounding your problems with a strobe.
Cressi Matrix
There’s not much to say other than: I. Love. This. Mask. I’m a huge fan of the black silicone skirt, which has just a little bit of sparkle and shine to it. I guess I’m still a girl under all this neoprene.
I’m coming off of a Mares X-Vision LiquidSkin mask which I loved dearly, and laid to rest on the Haliburton wreck off of Utila, Honduras. The silicone of the LiquidSkin was definitely softer and more comfortable on my face than the Matrix, though by a smaller margin than I was expecting. By the nose the silicone skirt is cut high, which some might find a bit abrasive.
The mask is well-made, easy to adjust, and allows for a large field of vision. I love that the black skirt doesn’t cause as much peripheral vision distraction as do clear silicone skirts, although if clear is your preference, the Matrix does come in just about every color under the sun. The Matrix has that distinctive tear-drop shape that’s so popular in masks today, two-paned (as is the standard, making life much easier for those who need prescription lenses). Being able to see all the way down is an essential feature of a mask for me, so — that’s a win in my book.
I find that it’s easy to read the facial expressions of those wearing the Matrix, and the mask doesn’t artificially add or enhance expressions (such as anger, confusion, etc.) as many masks tend to do. This is particularly important for dive professionals, since it’s never nice to have a mask make you look angry all the time in front of your students!
I replaced the strap of the Matrix with a velcro slap-strap; the whole thing took only a few minutes from beginning to end. I definitely appreciated the ease of the replacement.
My overall rating is an A+. That said, unless you’ve tried a mask on before, remember: never buy a mask online! For fit and comfort, it’s essential to shop for masks in-person before making your decision, otherwise you might end up with a very unpleasant surprise. While I always ask for mask recommendations from my friends, it’s a bit like buying a pair of jeans: what might fit my boss probably won’t fit me the same way. Try before you buy!

















